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Getting Digital

Stock Licence

Also: asset licence, content license, media licence, usage rights

A stock licence is the permission you buy when you download an asset, naming who may use it, inside which products, at what scale and until when, while copyright stays with whoever made it.

Assessment. A licence is judged by whether the permission outlives the invoice. For anything that ships to a client or has to stay published indefinitely, a perpetual per-item purchase is safer than subscription access even in the years when the arithmetic favours the subscription.

Permission with a shape and an end date

Nothing about a download moves ownership. The maker keeps copyright and hands over a described permission, which is why these documents are built the way they are: a short grant clause saying what you may do, then a long restrictions clause where all the money is. Read the second one first. Four properties describe almost any grant. Breadth: does the permission attach to one end product, or to everything your company ships? Ceiling: are copies, impressions or seats being counted? Term: does the permission end, and does it end because a payment ended? Assignability: may the permission move to the client who takes over the site? Two assets sitting in the same project folder can differ on all four, so a written record per project is safer than a memory of what a marketplace usually does. This is vocabulary rather than legal advice, and the distinction starts to matter the moment a real dispute does.

The terms move; your copy should not

Marketplaces revise their terms, and the version governing your use is the one in force when you downloaded. Save that page alongside the asset identifier, the date and the project it went into. That folder is the only thing that answers a due-diligence question in minutes, and building it costs seconds per asset against days of reconstruction when a buyer's counsel asks where a hero image came from.

Two properties do most of the harm. The first is the editorial restriction, which is not advice about tone. An editorial asset arrives without releases, meaning the people, marks and buildings inside it have agreed to nothing, and as soon as the image promotes, packages or implies endorsement the clearance the seller relied on stops covering you. A news item on a company blog can sit inside the restriction. The identical picture on a pricing page does not. The second is duration tied to payment. Subscription libraries grant use while the account is funded and expect every use registered against a named project, so when payment stops the downloads on your drive are files with no grant behind them. Neither trap needs a lawyer to avoid. Log each use as it happens, buy perpetual per-item licences for whatever must survive a cancellation, and settle who owns each grant before handover, ideally by buying under the client's own account and rebilling. Which supplier suits which buying pattern is a separate question, handled in the guide to which marketplace to buy from.

In practice

Adobe Stock separates the two most confused permissions cleanly. Its standard licence covers an image used inside something you publish, from a website to a print campaign, up to the reproduction ceiling written into the terms. Its extended licence exists for the cases that break that: goods manufactured for sale where the image is half of what a customer is paying for, and volumes past the point where counting reproductions would otherwise stop you. The downloaded file is byte-identical under both. The invoice, and the answer you can give a client's lawyer, is not.

Often confused with

Royalty-Free
Royalty-free describes only the fee structure inside a licence. The licence is the document that decides scope, ceilings, duration and whether the permission can be passed on.
Font Licensing
Stock terms attach to an asset placed inside a product. Type is licensed by activity, so making the artwork and serving files to a browser are bought separately.
Web Template
A template is a class of asset; the terms attached to it are the licence. Template grants add a dimension of their own, binding a purchase to one build while updates and support expire on a timetable of their own.

Key takeaways

  • →You bought permission, not a file, and what the restrictions forbid, rather than what the product page promises, decides whether an asset fits the job.
  • →Breadth, ceiling, term and assignability answer almost every question. Check them in that order before comparing prices.
  • →Rented access ends with the payment, so anything that must stay published needs a perpetual per-item purchase made while the account still works.

Related concepts

  • Royalty-free is the most common stock licence model.

  • Fonts are licensed on terms that differ from stock images.

Where this concept sits in the field

FAQ

Does the licence move with the site when a client takes over?
Only if the terms say so, and subscription-sourced permissions almost never do, because they were granted to your account rather than to the site. Purchased per-item licences transfer more often but still not automatically. Decide it at proposal stage: buy under the client's account where you can, and where you cannot, list every third-party licence you are handing over along with who owns it.
Do I need a new licence when the site is redesigned?
Usually not, while it remains the same end product on the same domain for the same owner. A second site, a spin-off brand or a product you sell built from the same assets is a new end product and needs its own licence. Reproduction ceilings are worth rechecking at the same time, since a redesign is often the moment traffic or print volume changes materially.
Are free-library assets licensed at all?
Yes, by a licence that happens to cost nothing. Those terms are typically broad on use and strict on two points: you may not sell the file substantially unchanged, and the operator provides neither releases for the people and property shown nor any indemnity. That combination is fine for a blog illustration and thin cover for a national advertisement.
What should I record for each asset?
Asset identifier, marketplace, licence type, date of download, the project it went into and where the terms live. Six fields in a spreadsheet, filled in as you download. It is the difference between answering a provenance question from a file and reconstructing a year of download history under time pressure.

Sources

The primary text this definition rests on. Read it before relying on this one.

Last reviewed 26 September 2026 · Getting Digital